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µ¿¼­¾çºñ±³¹®È­·Ð (Studies of Comparative Culture in Eastern and Western Culture)
ºñ±³¹®È­ÀÇ °üÁ¡°ú ÀïÁ¡À» ¹è¿î´Ù.
µ¿¾ç¹®È­Ã¶ÇÐ (Philosophy of Oriental Culture)
µ¿¾ç ¹®È­ÀÇ Ã¶ÇÐÀû ¹è°æÀ» Ž±¸ÇÔÀ¸·Î½á µ¿¾ç ¹®È­ ÀϹݿ¡ ´ëÇÑ Ã¶ÇÐÀû ÀÌÇظ¦ ³ôÀδÙ.
µ¿¾ç¿¹¼úöÇÐ (Philosophy of Oriental Arts)
Áß±¹ÀÇ ¼­¿¹¿Í ȸȭ¸¦ Æ÷ÇÔÇÏ´Â µ¿¾ç ¿¹¼úÀÇ ´Ù¾çÇÑ Æ¯»öµéÀ» °øºÎÇÑ´Ù.
µ¿¾ç¿ìÁÖ·Ð (Oriental Cosmology)
º» °­ÀÇ¿¡¼­´Â ÔÔåÇéÔñµÖåÀÇ Å±ØÀ̳ª ¸®°³³äÀÇ ½Ã¿ø°ú ¹ßÀü¿¡ ´ëÇؼ­ °øºÎÇÑ´Ù.
µ¿¾çÀμº·Ð (Oriental Human Nature Theory)
µ¿¾Æ½Ã¾Æ¸¦ Áß½ÉÀ¸·Î Àΰ£ÀÇ º»¼º¿¡ ´ëÇØ ¾ó¸¶³ª ´Ù¾çÇÏ°Ô ³íÀÇµÇ¾î ¿Ô´ÂÁö¸¦ ºñÁß ÀÖ°Ô ´Ù·ïº¸°í ±×·¯ÇÑ
³íÀÇ¿¡ ´ëÇÑ Â÷ÀÌ¿Í Àǹ̸¦ ¾Ë¾Æº»´Ù.
µ¿¾çöÇаíÀü¼±µ¶ (Reading on the Selected Classics in Oriental Philosophy)
µ¿¾ç öÇÐÀÇ °íÀüÀ» ¼±µ¶ÇØ ÀÐ°í °íÀü¿¡ ´ëÇÑ Çؼ®°ú ÀÌÇظ¦ ³ô¿© º¸´Ù ±íÀº öÇÐÀÇ ¼¼°è·Î ¾È³»ÇÑ´Ù.
µ¿¾çöÇÐÀÔ¹® (Introduction to Eastern Philosophy)
º» °­Á´ ¿ì¸® »î°ú ¿ìÁÖ¿¡ ´ëÇÑ À¯°¡, ºÒ°¡, µµ°¡ µ¿¾ç ¼ºÇöµéÀÇ ÁöÇý¸¦ Ž±¸ÇÑ´Ù.
1. µ¿¾çöÇÐÀÌ ¹«¾ùÀÎÁö ÀÌÇØÇÑ´Ù.
2. À¯°¡ µµ°¡ ºÒ°¡ µ¿¾ç ¼ºÇöµéÀÇ ÁöÇý°¡ ´ã±ä °æ±¸¸¦ ÀÐ°í ±× ¶æÀ» »õ±ä´Ù.
3. ±×¿¡ ´ëÇÑ ¿©·¯ »ý°¢µéÀ» Çغ¸°í ±× »ý°¢µéÀ» ³íÀÇÇØ º»´Ù.
4. ¶Ç ±×¿¡ ¹ÙÅÁÇÏ¿© Çö´ë¸¦ »ì¾Æ°¡´Â ¿ì¸® ÀÚ½ÅÀÇ »îÀ» µÇµ¹¾Æº»´Ù.
5. ¸¶Áö¸·À¸·Î ¿ì¸®°¡ »ì¾Æ°¥ ¹Ì·¡ÀÇ ÁöÇý¸¦ Åõ»çÇØ º»´Ù.
¸ÞŸÀ±¸®ÇÐ (Meta Ethics)
¸ÞŸÀ±¸®ÇÐÀº Àΰ£ ÇàÀ§ÀǼ±¾ÇÀDZâÁØÀ»´Ù·ç¸ç±âÁ¸ÀÇ°ø¸®ÁÖÀÇ¿Í °°Àº ±Ô¹üÀ±¸®¿Í´Â ´Þ¸®, Á¦¹Ý ±Ô¹üÀ±¸®
ÀÚüÀÇ Ã¶ÇÐÀû ÇüÀÌ»óÇÐÀû ±âÃʸ¦ Ž±¸ÇÏ´Â À±¸®ÇÐÀÇ ÇüÀÌ»óÇÐÀ̶ó ÇÒ ¼ö ÀÖ´Ù.
¹¬°¡Ã¶ÇÐ (Philosophy of Mo-tzu)
¹¬°¡ »ç»óÀÇ ÁÖ¿ä À̷еéÀ» °ËÅäÇÔÀ¸·Î½á ÃáÃß Àü±¹½Ã´ë¿¡ Á¸ÀçÇÏ´ø Á¦Àڹ鰡µé°ú ±¸ºÐµÇ´Â ÁöÁ¡À» ÀνÄÇÏ
°í ±× ÀÇÀǸ¦ »ìÆ캻´Ù.
¹®ÇаúöÇÐ (Literature & Philosophy)
¹®ÇÐ ÀÛÇ° ¼Ó¿¡¼­ ³ªÅ¸³ª´Â öÇÐÀû ¹®Á¦µéÀ» ÀçÁ¶¸íÇØ º¸°í, À̸¦ ÅëÇØ ¹®Çаú öÇÐÀÇ °ü°è¸¦ ÀçÁ¤¸³ÇÒ ¼ö
ÀÖ´Â ¹æ¾ÈµéÀ» ¸ð»öÇØ º»´Ù.
¹®È­¿¹¼ú¼¼¹Ì³ª1(¹Ì¼ú) (Seminar on Culture-Art 1 (Paintings))
ȸȭ¸¦ Áß½ÉÀ¸·Î ¹®È­¿¹¼ú°èÀÇ °æÇâ°ú ¹®Á¦µéÀ» °øºÎÇÑ´Ù.
¹®È­¿¹¼ú¼¼¹Ì³ª2(¿µÈ­) (Seminar on Culture-Art 2 (Movies))
¿µÈ­¸¦ Áß½ÉÀ¸·Î ¹®È­¿¹¼ú°èÀÇ °æÇâ°ú ¹®Á¦µéÀ» °øºÎÇÑ´Ù.
¹ÌÇÐ (Aesthetics)
¿À´Ã³¯¿ì¸®´Â´Ù¾çÇѸÅü¸¦ ÅëÇؼö¸¹Àº¿¹¼úÀÛÇ°µéÀ» Á¢Çϴµ¥, ±×¶§¸¶´Ù ¶§·Î´Â ´çȤ½º·´°í ¶§·Î´Â½É¿À
ÇØÁö±âµµ Çϸç, ¶§·Î´Â »ó»ó·ÂÀÇÁöÆòÀ» ³ÐÈ÷±âµµÇÑ´Ù. ±×·±µ¥ ¿ì¸®´Â ±×·¯ÇѹÌÀû, ¿¹¼úÀû °æÇè¿¡¼­¹ß»ýÇÏ
´Â ÀïÁ¡µéÀ» °ú¿¬ ¾î¶»°Ô ºñÆÇÀûÀ¸·Î ¼ö¿ëÇÒ ¼ö ÀÖÀ»±î. ÀÌ °­ÀǸ¦ ÅëÇØ ¼ö°­»ýµé°ú ¹ÌÀû ȤÀº ¿¹¼úÀû °¡Ä¡
¸¦ º¸´Ù ´Éµ¿À¸·Î ²ø¾î³¾ ¼ö ÀÖ´Â °æÇèÀû, ÀÌ·ÐÀû Á¢±ÙÀ» µµ¸ðÇÏ·Á ÇÑ´Ù.
¹ÌÇпø·Ð (Elements of Aesthetics)
°¡Ä¡·ÐÀÇ µÎ ±âµÕÀÎ À±¸®Çаú ¹ÌÇÐ Áß ¹ÌÇÐ ºÐ¾ßÀÇ ¿ø·ÐÀûÀÎ ÁÖÁ¦¸¦ Ž±¸ÇÏ´Â ±³°ú·Î¼­, ¹Ì·Ð, ¿¹¼ú·Ð, ºñÆò
öÇÐ, ¿¹¼úÇÐ, ¿¹¼úöÇÐ µî ¹ÌÇаú °ü·ÃÇÏ¿© Çö´ë¿¡¼­ ´Ù·ç¾îÁö´Â ´Ù¾çÇÑ Çй® ºÐ¾ßÀÇ ÁÖÁ¦¿Í °ü½É»ç¸¦ Æø³Ð
°Ô ´Ù·é´Ù.
This subject searches into the theoretical themes faesthtics, which is one of the two pillars of axiology. And
this widely treats themes and interests of various studies which is treated as regards aesthetics.
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