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Dating on Sunday
equipment.
The Argus: How did you come up
TheArgus:Whatdidyoulearnfrom
withyourfilm’sstory?
makingthefilm?
TheArgus:Isittruethatyoutooka
Kang Won-mo: The first question
Won-mo: First of all, every moment
semesteroffforthefilm?
that I had was “Can people remain
meant a lot to me. You would never
good-hearted even in extreme
know what it feels like to see your
Won-mo: Yes, I thought it was just
circumstances?” That was where
imagination become reality, unless you
impossible to make a good film and go
I started. I spend a lot of time
experienceityourself.Itisexhilarating.
to classes and do all the assignments at
daydreamingandhavingsillyfantasies.
I also learned about the production
the same time. Seeing my teammates
Itendtoworryaboutnonsense,too.
processoffilmmaking.
struggle with assignments, I believe it
wastherightdecision.
Lee Ha-eun: The main character
Ha-eun:I learned about leadership. We
is partly based on me. She is very
were on a very tight schedule, and I
The Argus: You are the only
enthusiastic, smart, sociable, but
was very frustrated, but I tried hard to
documentary team. Why did you
cunning and deceptive. She sets her
hide my feelings when something went
chooseadocumentary,andhowis
best friend up in a trap and lets other
wrong or someone made a mistake.
itdifferent?
girls gossip about her. Of course, I
If I hadn’t, we all would have been
have never set my friend up or bullied
in bad moods with low productivity.
Yeon-ji: It was the only genre that I
had never had any experience with. I
anyone, but I got good grades, had
Complimenting had a great effect as
wantedtotrysomethingnew.Butitwas
manyfriendsandwassometimesoverly
well. It encouraged everyone to do
much more difficult than I imagined. I
enthusiastic in high school. But once I
better. I wanted to be a role model for
was always nervous because there was
enteredcollege,Ifounditdifficulttoget
the freshmen so they could be good
neither a script nor continuity. There
along with some people. Small things
“seonbae,” or upperclassmen, and
were also many restrictions because
caused misunderstandings that I never
directorsnextyear.
we could not ask people to say or do
reallymeant.SoIwantedtosaythatnot
something.Wewerejustfollowingtheir
everything we see is true and that we
Min-yeong: I thought I could be a
daily lives. But its spontaneity is what
canunknowinglyhurtotherpeople.
charismatic director, making direct
makes producing a documentary fun
demands, but I was more like an
andenjoyable.
encouraging and asking-a-favor type. It
Kim Min-yeong: I had a message I
has its advantages, but I learned that I
wantedtotell.Thecrimesweseeonthe
newscanhappentoanyofus,andwhen
stillneedtolearnalotmore.
The Argus: The topic is quite
they do, the trauma can change our
sensitive and stimulating. Was it
difficulttofilmsomescenes?
values and perspectives forever. Then I
Yeon-ji:Because it is a co-production
came up with these characters and the
and there is not just one director, we
Min-yeong: The film has several
story. The basic structure of the film
hadmanyconflicts.SoIlearnedhowto
explicit and sensitive scenes. It was
has a reference to a short novel called
mediate arguments and come up with
strenuous to direct the composition and
“Nabi.”
better ideas. In documentary films,
acting. However, I was more mentally
post-production is more important than
the actual production. I learned much
LeeYeon-ji:The original director we
moreoncewestartedediting.
voted for had to go to the army shortly
afterhewaschosen.Theinitialsynopsis
was about different types of couples,
The Argus: Your team’s production
but after many meetings, we decided
costwasthehighest.Whyisthat?
that we needed to narrow down the
topic. We thought that love in their 20s
Won-mo:We were men of spirit. We
is special. Korean men have to serve
wanted to be challenged and creative
military duty and couples experience
andgobeyondthelimitationsofregular
a period of separation. So the couples,
student films. So we put extra effort
especially the so-called “gomushin,”
in getting better equipment and props.
the girlfriends whose boyfriends are
Theycostusalot.Wealsohadtoshoot
in the army, became the subject of our
acouplemoretimesthanweplannedto
documentary.
initially, which meant more money, and
wehadtopayforafewbrokenpiecesof
▲KangWon-mo‘13
December2014
7
equipment.
The Argus: How did you come up
TheArgus:Whatdidyoulearnfrom
withyourfilm’sstory?
makingthefilm?
TheArgus:Isittruethatyoutooka
Kang Won-mo: The first question
Won-mo: First of all, every moment
semesteroffforthefilm?
that I had was “Can people remain
meant a lot to me. You would never
good-hearted even in extreme
know what it feels like to see your
Won-mo: Yes, I thought it was just
circumstances?” That was where
imagination become reality, unless you
impossible to make a good film and go
I started. I spend a lot of time
experienceityourself.Itisexhilarating.
to classes and do all the assignments at
daydreamingandhavingsillyfantasies.
I also learned about the production
the same time. Seeing my teammates
Itendtoworryaboutnonsense,too.
processoffilmmaking.
struggle with assignments, I believe it
wastherightdecision.
Lee Ha-eun: The main character
Ha-eun:I learned about leadership. We
is partly based on me. She is very
were on a very tight schedule, and I
The Argus: You are the only
enthusiastic, smart, sociable, but
was very frustrated, but I tried hard to
documentary team. Why did you
cunning and deceptive. She sets her
hide my feelings when something went
chooseadocumentary,andhowis
best friend up in a trap and lets other
wrong or someone made a mistake.
itdifferent?
girls gossip about her. Of course, I
If I hadn’t, we all would have been
have never set my friend up or bullied
in bad moods with low productivity.
Yeon-ji: It was the only genre that I
had never had any experience with. I
anyone, but I got good grades, had
Complimenting had a great effect as
wantedtotrysomethingnew.Butitwas
manyfriendsandwassometimesoverly
well. It encouraged everyone to do
much more difficult than I imagined. I
enthusiastic in high school. But once I
better. I wanted to be a role model for
was always nervous because there was
enteredcollege,Ifounditdifficulttoget
the freshmen so they could be good
neither a script nor continuity. There
along with some people. Small things
“seonbae,” or upperclassmen, and
were also many restrictions because
caused misunderstandings that I never
directorsnextyear.
we could not ask people to say or do
reallymeant.SoIwantedtosaythatnot
something.Wewerejustfollowingtheir
everything we see is true and that we
Min-yeong: I thought I could be a
daily lives. But its spontaneity is what
canunknowinglyhurtotherpeople.
charismatic director, making direct
makes producing a documentary fun
demands, but I was more like an
andenjoyable.
encouraging and asking-a-favor type. It
Kim Min-yeong: I had a message I
has its advantages, but I learned that I
wantedtotell.Thecrimesweseeonthe
newscanhappentoanyofus,andwhen
stillneedtolearnalotmore.
The Argus: The topic is quite
they do, the trauma can change our
sensitive and stimulating. Was it
difficulttofilmsomescenes?
values and perspectives forever. Then I
Yeon-ji:Because it is a co-production
came up with these characters and the
and there is not just one director, we
Min-yeong: The film has several
story. The basic structure of the film
hadmanyconflicts.SoIlearnedhowto
explicit and sensitive scenes. It was
has a reference to a short novel called
mediate arguments and come up with
strenuous to direct the composition and
“Nabi.”
better ideas. In documentary films,
acting. However, I was more mentally
post-production is more important than
the actual production. I learned much
LeeYeon-ji:The original director we
moreoncewestartedediting.
voted for had to go to the army shortly
afterhewaschosen.Theinitialsynopsis
was about different types of couples,
The Argus: Your team’s production
but after many meetings, we decided
costwasthehighest.Whyisthat?
that we needed to narrow down the
topic. We thought that love in their 20s
Won-mo:We were men of spirit. We
is special. Korean men have to serve
wanted to be challenged and creative
military duty and couples experience
andgobeyondthelimitationsofregular
a period of separation. So the couples,
student films. So we put extra effort
especially the so-called “gomushin,”
in getting better equipment and props.
the girlfriends whose boyfriends are
Theycostusalot.Wealsohadtoshoot
in the army, became the subject of our
acouplemoretimesthanweplannedto
documentary.
initially, which meant more money, and
wehadtopayforafewbrokenpiecesof
▲KangWon-mo‘13
December2014
7
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