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News Desk
The Argus: Where did you prefer
The Argus: Whom among the
The Argus: What does the project
totakepicturesofthepeople?
models did you remember the
meanforyou?Whatisthemessage
Aoife Casey: It really depended on
most?
youwanttogivetotheaudience?
what the model wanted. Some were
Aoife Casey: There isn¡¯t any one
Aoife Casey: The project, for me, is a
happy to have their picture taken in
amongthemwhomIrememberthemost.
celebration of natural beauty and of the
a coffee shop or gallery, while others
I remember each person for different
strength and integrity to oneself that a
preferred somewhere more private or
reasons as everybody had their own life
lotofthewomenIhavemethaveshown
natural,likeaparkortheirhomes.
story.Iconnectedwitheachpersonona
me.Really,Iwanttheprojecttodelivera
slightly different level. It was wonderful
positive message, one of self-acceptance
to make so many new friends and
andcelebrationofKoreanbeauty.
The Argus: What kind of people
acquaintances. I feel everyone involved
cherrymangos@hufs.ac.kr
didyoutakepicturesof?
Aoife Casey: I took them of a variety
came away with something meaningful
of people, young and old, and from a
fromtheproject.
number of backgrounds. Participants
were students, a lawyer, a poet, a
The Argus: What do you think
Beautyemanatesfroma
financial consultant, a teacher, and
naturalbeautyis?
personwhoisconfidentin
a recruitment agent. A couple of the
Aoife Casey: Personally, I feel natural
theirownskin,knowingand
participants were adoptees who had
beauty is something that emanates from
spent most of their lives abroad. Some
a person who is confident in their own
respectingthemselvesandis
hadnoEnglishskills.Otherswerefluent.
skin,knowingandrespectingthemselves
proudofthatfact.
Itookapictureofafouryearoldgirl.It
andisproudofthatfact.
wasveryindiscriminate.
The Argus: What do you plan for
The Argus: What were some
yournextproject?
Aoife Casey: I am interested in
reactions you got from the people
continuing to explore aspects of Korean
youtookpicturesof?
Aoife Casey: All the models were
culture. I am interested in visually
extremely excited to have their picture
exploring Korean modernity (an
takenandtobeinvolvedinaprojectthat
economic force) and its relationship
bringstothesurfacethemanyquestions
with tradition (a cultural force) There
people may be asking themselves, but
are many themes that I want to
are afraid to voice like, ¡°Why do I have
explore such as ¡°social structures,¡±
tolookacertainway?¡±¡°Whomakesup
¡°kinship,¡± ¡°classes,¡± ¡°statuses,¡±
therulesaboutbeauty?¡±¡°Whycan¡¯tIbe
¡°rules,¡± ¡°oppositions,¡± ¡°solidarities,¡±
acceptedandappreciatedthewayIam?¡±
¡°hierarchies,¡± ¡°authority,¡± ¡°values,¡±
AoifeCasey
and¡°Isitthesameeverywhereelse?¡±
¡°ideology,¡±¡°religion,¡± and¡°purity.¡±
NOVEMBER 2013
25

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