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15
Rendezvous
time,theydidnotopentomesoreadilyso
Argus: Do you make a story by
rgus
itwasdifficulttoteachthematfirst.Butby
yourself? Then how do you come up
A
The
letting them touch the sand on their own,
withyourideas?
/
Eun-young
Choi: Yes, I make a story by myself.
they enjoyed this work and started asking
The change of scenes is an important and
meaboutit.NowwearegoodfriendsandI
attractive feature of this art. I point out
amveryhappythatIcanopentheirminds
Kim
that story telling is more important than
andhelpthemthroughtheworkthatIlove.
drawing. But drawing is important too.
Iwillcontinuewiththeseactivities.
Story telling was very hard for me at first.
One of the best ways that I trained was to
Argus:Whatisyourgoalnow?
makechangesfromsimpleshapesorwords.
Choi: I want to draw pictures with the
For example, when I draw the number 1, I
sand for as long as I am healthy, and in
¡ãChoitellsthereadersnottogiveuptheirdreams.
connectitslongshapetoaneckofgiraffe.
doingso,Iwanttohavemyownexhibition.
InthisprocessImakeotherscenesandlink
ButIbelievedinmyself.¡°Iamyoungnow,¡±
Maybe it will be filled with many videos
them,andthisishowastoryiscreated.
Isaidtomyself.Today,Iamcontinuingmy
thatplaythestoryofsandwhichisdifferent
jobasasandartist.
from any other exhibition. Also, I want to
goabroadtoperforminfrontofforeigners.
Argus: Why did you decide to
At the academy where I lecture, I want to
becomeasandartdirector?
Argus: On September, you did a
train more people to learn sand art and
Choi: Actually, I did not have a dream
performance for the comfort women
to be a sand artist. But I had interests
becomegreatartistsinthisfield.
of the Japanese army. How did you
in relevant fields because my major was
participate in this work? And what
graphic art. In 2002, I saw a sand art
didyougainfromthisperformance?
Argus: What do you recommend to
performance for the first time that was
Choi: I have always had great interest
peoplewhodreamofdoingthiswork
the first sand art performance in Korea,
in social problems and I have participated
withsand?
I know. At that time, I just thought it was
in many NGO programs. In the process
Choi: If you want to be a sand art
a very surprising art. Shortly after that, I
of this, I made contact with the director
director,justchallengeyourselfcontinually
had a health problem so I had to quit the
of the comfort women performance,
and do not give up. Of course, this field is
company I was working at. During my
and I accepted it unquestioningly. When
notsopopularandbecauseofthis,somany
break,Istartedsandartjustasahobbyand
I prepared the work, I looked at some
people who dream of this work may be
postedvideosontheInternet.Oneofthem
pictures that the old women described as
afraid of it. When I started working with
became the talk of the portal, and many
scenes from their childhood when they
sand,IhadmanyconcernsaboutwhetherI
companies suggested that I make their
were taken by the Japanese army. Many
couldsucceedornot.ButIwasnotscared,
advertisingvideosandthemediacontacted
years have passed, but they are left with
because I knew I would not fail. Why? I
me for interviews. From there, I deeply
their miserable memories, and this moved
do my work again and again and that is
considered the direction of my life. This
megreatly.Iwantedtocomfortthewomen
the real meaning of success. So I want
workwasreallyfantasticandIlovedit,but
sincerely,thoughIdonotknowthatIhave
those who want to do this to keep trying
it was a huge challenge for me to change
really done that yet. The work that I made
constantly.
myjobandbecomeasandartist,workthat
for the performance is the best piece from
key91419@hufs.ac.kr
was not known to people in Korea at all.
theworksthatIhaveevermade.
Eun-young
Argus: After the performance, you
¢¸Choimakes
also donated your talent to children.
asandartfor
TheArgus.
Howwasthat?
¨ÏChoi
Choi: The program is called, ¡°Thank
You,¡± which is a project of *MBC and the
Ministry of Culture, Sports, and Tourism.
s
u
g
r
A
It aims to show and convey our talents to
e
h
T
children who are in difficult situations,
/
g
n
u
giving them opportunities to learn these
o
y
-
¡ãAboveworktellsthesufferingofcomfortwomenby
n
u
crafts.WhenImetthechildrenforthefirst
E
theJapanesearmy.
m
i
K
*MBC: Munhwa Broadcasting
Corp.,headquartersinSeoul
NOVEMBER 2012

17ÆäÀÌÁö º»¹®³¡



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