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against women in the workplace by the Organization for
areinaconflictcompositionbecausetheyarenotdisapproving
Economic Cooperation and Development (OECD). The
ofSandra¡¯sreturnbutwantthebonus,althoughtheylooklike
discriminationinKoreaagainstwomenisataseriouslevel.
they are in conflict with Sandra. The movie ¡°Two Days, One
Night¡± reveals that the conflict in the movie is about a story
betweenhorizontallyequalworkers.
*Musculoskeletaldisorder:AccordingtotheKoreaOccupationalSafetyandHealth
Agency, it collectively refers to ¡°health disorders that occurred in the body due
Themovie¡°TwoDays,OneNight,¡±whichdepictstheironic
to damage of tissues such as muscles, nerves, tendons, ligaments, and joints
by excessive use of force, repetitive movement, inappropriate working posture,
clash between workers in equal positions, not the typical
physicalcontactwithsharpsurfaces,vibration,andtemperature,etc.¡±
combativeness between labor and management relations,
uses unique methods in terms of expression. Professor Kim
said, ¡°The movie ¡®Two Days, One Night¡¯ does not frown
TheFocusingPoint:
upon those who did not vote for Sandra; rather, it objectifies
HowDoes¡°TwoDays,OneNight¡±LooktotheLaborer?
themasanindependentindividual.¡±Sheexplained,¡°Givinga
The movies ¡°Cart¡± and ¡°Two Nights, One Day¡± both depict
similarrunningtimetoeachworker,lessthan10minutes,the
themaincharacter,thelaborer,asinfluencedbyothersaround
attention is distributed equally to those who support Sandra
them, but the two movies show differences in the way they
andthosewhodonot,¡±adding,¡°Theframeofthefilmisalso
depict and arrange others. ¡°Cart¡± draws a typical vertical
medium-short, which cuts characters in the chest not like
structure of conflicts between employees and executives,
in close-ups, putting Sandra and others in the same frame.¡±
which can be seen in other films about labor. The scene at
This is because the movie ¡°Two Days, One Night¡± intends to
the beginning, when a high-ranking manager shouts on the
keepthepublicfrombeingassimilatedtotheprotagonistand
podium in front of a row of workers, also shows the vertical
beinghostiletootherworkersbyfocusingonthefactthatthe
and confrontational structure of a typical labor film. In
colleaguesarejustlaborerslikeSandra.Therepetitivecontent
contrast, the movie ¡°Two Days, One Night¡± pits the main
composition,inwhichSandravisitseachofhercolleaguesand
character Sandra against other workers in the same position,
hears why they had no choice but to choose the bonus, also
which is different from other movies. However, it is even
conveysthedifficultiesofeachworkertothepublic.
difficulttosaythatthosewhoopposedSandra¡¯sreinstatement
Times
¨ÏIMDB
York
New
¨ÏThe
¡ãThemovie¡°TwoDays,OneNight¡±drawsSandraandotherworkerstogetherinasingleframewithasimilarsize,whethertheysupportSandraornot.
The films ¡°Two Days, One Night¡± and ¡°Cart¡± give comfort and sympathy to the viewers and other workers outside of
the film, by capturing the worker¡¯s desperate life without exaggeration. However, it should not stop with empathy and
comfort.Weshouldrealizethatthedisastrousscenesinmoviesarestillhappeninginmodernsocietyandshoulddoour
besttoprotecteveryone¡¯ssafetyandrights.Itisnecessarytopaymoreattentiontoeverylaborer¡¯sworkingenvironment,
to protect all workers¡¯ rights and lives in a capitalistic society. ¡°We are not asking for the moon. We are asking you to
justlistentous.¡±Asthemaincharacter,Sun-heesaidin¡°Cart,¡±themostimportantfirststepistonotignoretheworkers
whocrydesperatelyforaliving.TheArgushopesthatcitizensviewlaborersasneighborsnotjustas¡°others¡±andcoexist
together.
glgrace@hufs.ac.kr
14
www.theargus.org

16ÆäÀÌÁö º»¹®³¡



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