ÃÑ 36ÆäÀÌÁö

16ÆäÀÌÁö º»¹®½ÃÀÛ

Morpheus
¨ÏTheoryLeaks
Lacaniantheory
Dr. Jacques Lacan, the most important contributor of
psychoanalysis since Sigmund Freud, asserted that a child¡¯s
acquisition of language occurs in the context of interactions.
He structured the infant development stage into three
¡ãDr.JacquesLacanwasamajorfigureof
fundamentalcomplexesthatrepresentthefamilyrelationship:
psychoanalysis.
the weaning complex related to the mother, the inferiority
complextowardssiblingsandtheOedipuscomplexwiththeimagoofthefather.
In Lacan¡¯s theory, the primitive phase begins when the womb generates. This causes the separation from
themotherandshattersachild¡¯sillusionthatthemotherisalwaysthereforthem.Thenwiththepresenceof
afather,thechild¡¯sconfusionintensifies.Thatisthemomentwhenthelovetowardsthemother,theidealized
figure,turnsintoobsession,leadingthechildtolongforthestatebeforebirth.
The complex of intrusion happens when a child finds out there is another one to share the mother¡¯s love.
Growingup,thefeelingofjealousyhelpsthechildtorecognizehimorherself.Scholarscallthisthe¡°Mirror
stage.¡±¡°¡®Thatimageisme.Iamtall.Ihaveblackhair.Icantouchmytoes¡¯etc.isalwaysdependentonthe
languagewehaveavailabletousatthetime,whichmeansourunderstandingofourselvesandourbodiescan
changethroughtime.Thistellsusthattheinitialencounterwiththemirrorisnevertrulyorwhollyus,but
amisrecognitionwecanneverfullyknow,¡±elaboratedMarkRanger,anautismpractitionerattheSouthern
Autism Practice. The imaginary murder of the sibling is actually a disguise for the sophisticated mental
identification of self by distinguishing from the other-in this case, the sibling. Naturally, the capacity for
speech will develop, requiring the symbolic representations to articulate the adopted beliefs of their own.
Thus,inthisregard,thephallicmothergetsrepressedintotheunconsciousas¡°incestisimaginaryinLacan¡¯s
termsbecauseitisanattempttobypassthefundamentalsymbolicprohibition,¡±explainsToddMcGowan,a
professorattheUniversityofVermont.
This is how the structure of Imaginary Order, the fundamental narcissistic world that a child creates in
one¡¯sfantasyforoneselfandone¡¯sidealobject,givesawaytotheSymbolicOrder,thepre-establishedworld
thatgreetsthesubjectbythewebofsignificationandlanguage.Hence,thephallicsymbolplaysafunction
ofsignifyingallsignifiersofthefamilialnetworkbygrantingthechildaspecificpositionassomeone¡¯sson
ordaughter.Lacanintroducesthisasadoctrineofpaternalmetaphor,namelytheName-of-the-Father,ashe
sawthefatherasthefirstrepresentativeofthedemarcatedworldofgrown-ups,regulatingalltherepression
of desire between the ego and the mother. Here, the Oedipal identification goes through the child as the
symbolic father castrates the child through the subject¡¯s insertion into language. In detail, the Oedipus
complex is used to describe the child¡¯s experience of having erotic attachment to one parent and hostility
towardtheother,originatingfromtheGreekmythofOedipus,whokilledhisfatherandmarriedhismother.
Itdemonstratesthedeterminativedimensionofhumanexperiencethroughthefamilialrelationship;asLacan
stated,¡°man¡¯sdesirebreaksoutfromthedesireoftheother.¡±
LookintoDogtooth
ImaginaryOrderoftheautocratichousehold
Scene#1
¡°In Dogtooth, the parents attempt to keep the children in an imaginary isolation away from the external
influenceoftheSymbolicOrder.Itisinterestingthatthegirlcanonlyescapebyundergoingaself-castration
orsymbolicloss.Freudclaimsthatthelossofatoothstandsinforcastrationindreams.Andcastrationis
whatoccurs(forbothsexes)throughentranceintothesymbolicorder.Therewouldseemofimaginaryand
real in the children¡¯s imprisonment,¡± says McGowan. The act of liberation itself tells you the name of the
title.Thefamilylifeinthefilmismaintainedbythephobicmythologythattrapsthechildreninaparentally
determinedstateofimmaturity.
14
www.theargus.org

16ÆäÀÌÁö º»¹®³¡



ÇöÀç Æ÷Ä¿½ºÀÇ ¾Æ·¡³»¿ëµéÀº µ¿ÀÏÇÑ ÄÁÅÙÃ÷¸¦ °¡Áö°í ÆäÀÌÁö³Ñ±è È¿°ú¹× ½Ã°¢Àû È¿°ú¸¦ Á¦°øÇÏ´Â ÆäÀÌÁöÀ̹ǷΠ½ºÅ©¸°¸®´õ »ç¿ëÀÚ´Â ¿©±â±îÁö¸¸ ³¶µ¶ÇϽðí À§ÀÇ ÆäÀÌÁöÀ̵¿ ¸µÅ©¸¦ »ç¿ëÇÏ¿© ´ÙÀ½ÆäÀÌÁö·Î À̵¿ÇϽñ⠹ٶø´Ï´Ù.
»ó´Ü¸Þ´º ¹Ù·Î°¡±â ´ÜÃàÅ°¾È³» : ÀÌÀüÆäÀÌÁö´Â ÁÂÃø¹æÇâÅ°, ´ÙÀ½ÆäÀÌÁö´Â ¿ìÃø¹æÇâÅ°, ùÆäÀÌÁö´Â »ó´Ü¹æÇâÅ°, ¸¶Áö¸·ÆäÀÌÁö´Â ÇϴܹæÇâÅ°, ÁÂÃøÈ®´ëÃà¼Ò´Â insertÅ°, ¿ìÃøÈ®´ëÃà¼Ò´Â deleteÅ°