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with the project after the artists are finished and have moved on so that the
projectcontinuesindefinitely.
Argus:Howdidyoufirstgetinvolvedinthisproject?
Park : In the beginning, the Gyeonggi Cultural Foundation promoted
community art in several areas, including Siheung and Namyangju. I had
friends in Namyangju and that is how I got here. By the way, when I came
here, large apartments and big and small stores were concentrated in certain
areas,sowehadsomedifficultiesbeforewebegantheprojectbecausethearea
was very messy. The Gyeonggi Cultural Foundation gave us three months to
¡ãChildlikeRicePaddyandNoAnswerFarm.
get the project going. We had discussions with the residents about what we
1.Farmerplantsriceinthepaddyfirsthand.
2.Childrenislearningnaturalecology.
woulddoandmadeagreementswiththemtousethespace,andthisishowthe
3.Ducksareplayingonaslideinthepondinthemiddleof
projectbegan.
ricepaddy.
Thebigquestionwiththeresidentswas,¡°Ifartistscometoourvillage,what
will happen here?¡± We had to get the residents to see that this was going to
befunandbeneficialforthemtoreallymakeitwork.Sowetriedtoreachan
accord with all residents. As a result, communication between the residents
andtheartistsisattheheartofthesuccessoftheproject.
Argus : Before starting this project, you established Milmeori Art
School.Yourproject¡°TheWarmingLeftHand,¡±isalsoimpressive.Could
youtalkaboutthis?
Park:AlongwithothersIhelpedfoundMilmeoriArtSchoolasanonprofit
organization and established it in Yeoju in July of 2002, as a space for
alternative culture-art-education. We had the dream to educate artists with
cultural values and for a time realized it. Although the school closed, it was
greatwhileitlasted.
Incaseof¡®TheWarmingLeftHand,¡¯itisarteducationprogramfordisabled
children to have a good time along with their parents. Art activities such as
www.theargus.org

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