총 40페이지

Culture Trip
shared their experiences with visitors and talked about how they overcame complications while producing the work “To Build a
Fire.”TomaketheSpotrobotrememberthespace,theymadeanefforttodoendlessmodificationsandmappingthroughcoding
with programmers, they said. A participant asked Jeon, “If ‘Seoul Weather Station’ aims to interpret the climate crisis from a
non-humanperspective,whydidyouuseaproductofhumanAI?”Inresponse,Jeonsaid,“Ofcourse,AIwasmadewithhuman
experience and knowledge, but I think it is meaningful in that Moon and I tried to minimize human intervention to AI, as we
inputonlykeywordsintheAItowritenovels.”Inaddition,theyapproachedSpace1wherethe“ToBuildaFire”wasdisplayed
asanextensionofthework.Moonsaid,“Asvirtualreality(VR)gamesrequireadevice,wedesignedSpace1astheinsideofthe
device,”andassheintended,spaceseemslikeanunknownworldsurpassingtimeandspace.AnotherparticipantParkYu-chan,
18-year-old, said, “This is the first time I have visited an exhibition about the climate crisis. I had never considered the climate
crisis serious until this exhibition. I want to work in the field of arts, and I would like to hold an exhibition that combines the
climatecrisis,environment,andartinthefuture.”Also,headded,“Lookingatworksinterpretedasartratherthanhavinglearned
frominternetlecturesornews,IfirmlyrealizethatIshouldbeconcernedabouttheenvironment.”
The remaining three programs, “Our Near Future: Contemplating Coexistence with Robots,” “When the Earth Screams,” and
“World Weather Network?Weather Reports from Artists and Writers across the World” will be held in October and November,
including the program’s participants Hyundai Motor Group Robotics LAB and KAIST professor Jeong Jae-sung, Ewha Institute
for the Humanities professor Lee Chan-woong, science fiction writer Yi Seo-young, and Associate Director of Artangel James
Lingwood. Why not participate in Mobile Agora and become an environmental activist? Mobile Agora welcomes readers, also
knownasfutureenvironmentalists.
Argus
The
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Yu-min
ⓒYang
▲Theartisttalkispartof2022KoreaArtWeekwiththeMinistryofCulture,SportsandTourismandKoreaArtsManagementService.
? Conclusion ?
TheArgusaskedartistJeonJoon-howhatyouthlivinginturbulenttimescoulddo.Jeonsaid,“Theyoungergeneration
isexperiencingcompetitionandthecoldwarsystem,facingalotofnaturaldisasters.Iamsureitwillbedifficulttofind
theirownwayinthisenvironment.Topersevere,itisnecessaryforthemtoconsiderhowtodeveloptheirlives,separate
fromthevaluesimposedbysociety.”AsJeonsaidthatyoungpeopleshouldnotbestuckonsociety’svalues,Moonand
Jeon impart information about the climate crisis to visitors from a non-human perspective as well as unique artistic
alternativesfortheclimatecrisis.
Humanity has destroyed nature, but the more humanity experiences bizarre typhoons, heavy rains, and numerous
climatechanges,themorehumanityrealizesthatwecannottakecontrolofnature.WhentheEarthdisappears,humanity
cannolongerexist.Throughthisexhibition,readersmightstarttorealizetheseriousnessoftheclimatecrisisandstartto
planforthefuture.TheArguswantsreaderstorealizehowtorespondtotheclimatecrisisthroughashiftinthinking.
leejuwon@hufs.ac.kr
9
OCTOBER 2022

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