ÃÑ 40ÆäÀÌÁö

10ÆäÀÌÁö º»¹®½ÃÀÛ

24/7@HUFS
OutAtSea
Ablackcomedynamed¡°Napelnymmorzu(1961)¡±bySlawomirMrozek.
Theplaybeginsonaraftfloatinginthemiddleofthesea,withthreeneatlydressedsurvivorswhoare
starving, the fatty, the normy, and the lanky. When the food run out and they are starving to death,
the three agree to eat one of the three. When the victim is not elected by an election, the fatty and
thenormyareconcertedanditisdecidedthattheywilleatthelanky.Theypresentallkindsofliesin
order to make sure that the lanky accepts their sacrifices. The lanky attempts to endure to the end.
But he falls to the temptation of the fatty and the normy, gradually assuming his sacrifice is needed.
Thelankyeventuallyendsupbelievingthathisdecisionisgreatandholy.
finalperformancebetter.Everyoneseemedtohavethe
6:00p.m.
OnSaturday,afterthesecondperformanceat4p.m.,
same perspective as Park Seong-eun who thinks that
HUFSplay began to prepare for the third concert, an
the biggest attraction of a play is to do the hard work
hourbeforetheperformance.
¡®together.¡¯
They were ready to perform the play with their cell
ThereporterthentalkedwithMoonJa-hyeon.When
phonesturnedoff.Wonderingwhytheywereworking
the reporter asked how she feels now about the play,
so hard, The Argus reporter asked the members of
shereplied¡°I¡¯malittlecarefreenow,butnowIthink
HUFSplaywhattheplaymeanstothem.
actorswillbethemostnervous.¡±
Moon Ja-hyeon, who is in charge of sound, said, ¡°I
As she said, it was the actors who seemed to be the
think it is an opportunity for me to see my real self.
mostonedge.Theactorswerepracticingtheirscripts
AnditistimetojoinwithmyHUFSplaypeople.¡±
on the stage or under the stage; the presence of stage
The actor Eom Jeong-yeon, who played a postman
lighting did not seem to be important to them. The
and a servant said, ¡°HUFSplay has influenced me a
actors who memorized the dialogue and match the
lot.IamconfidentthatIhavebecomeabetterperson
scenes on the dark stage, seemed to laugh and play
now than when I first entered HUFSplay, because I
with each other, but they were concentrating on their
became acquainted with another aspect of myself;
rolesaspreciselyaspossible.
I became confident; I matured in many ways; and I
Fifteen minutes before the start of the play, all the
receivedalotofgoodinputfromHUFSplaypeople.¡±
members of HUFSplay climbed onto the stage, put
Each person felt or interpreted the play a little bit
theirhandstogetherandshouted¡°Fighting!¡±
differently,buttheywereallspendingthepresenttime
withonegoalinmind?thegoaltocompletetheplay
7:00p.m.
performancesuccessfully.
Park Seong-eun came out on stage and told the
The reporter asked HUFSplay people what they did
audience how the play would progress. After she
especiallyforthisplay.
returned to her seat and there was a setting change,
Yong Woo-joong who was in charge of lighting,
thelastperformanceofthe150thplaybegan.
replied,¡°Ifocusedmainlyonexpressingtheseawitha
The play was centered around the conversation of
bluelightontheedge,asiftheraftontheseawasthe
three main characters on stage. When they knew
background.¡±
therewasnofoodontheraft,thefattyandthenormy
ActorKimChai-hyeon,whoplayedthenormyinthis
seemed determined to eat the lanky. As they dressed
play, said ¡°We did not ask for help from our seniors,
neatly, they tried to convince the lanky to give them
but we tried very hard to do everything on our own.
a good reason to eat him. They first tried to select
We tried to make the offer, prepare the stage, and
victimsthroughelections.However,thelankytorethe
analyzethescriptbyourselves.¡±
ballotandmadetwo,andtherewerethreepeople,and
Their rehearsal plan was to stay calm together
fourvotescameout,sotheelectionfailed.
before the performance. They kept on talking to one
Next,thefattyappealedtotheirsenseofpity,saying
another and gave each other feedback to make the
that he is an orphan. The normy also said he was an
8
www.theargus.org

10ÆäÀÌÁö º»¹®³¡



ÇöÀç Æ÷Ä¿½ºÀÇ ¾Æ·¡³»¿ëµéÀº µ¿ÀÏÇÑ ÄÁÅÙÃ÷¸¦ °¡Áö°í ÆäÀÌÁö³Ñ±è È¿°ú¹× ½Ã°¢Àû È¿°ú¸¦ Á¦°øÇÏ´Â ÆäÀÌÁöÀ̹ǷΠ½ºÅ©¸°¸®´õ »ç¿ëÀÚ´Â ¿©±â±îÁö¸¸ ³¶µ¶ÇϽðí À§ÀÇ ÆäÀÌÁöÀ̵¿ ¸µÅ©¸¦ »ç¿ëÇÏ¿© ´ÙÀ½ÆäÀÌÁö·Î À̵¿ÇϽñ⠹ٶø´Ï´Ù.
»ó´Ü¸Þ´º ¹Ù·Î°¡±â ´ÜÃàÅ°¾È³» : ÀÌÀüÆäÀÌÁö´Â ÁÂÃø¹æÇâÅ°, ´ÙÀ½ÆäÀÌÁö´Â ¿ìÃø¹æÇâÅ°, ùÆäÀÌÁö´Â »ó´Ü¹æÇâÅ°, ¸¶Áö¸·ÆäÀÌÁö´Â ÇϴܹæÇâÅ°, ÁÂÃøÈ®´ëÃà¼Ò´Â insertÅ°, ¿ìÃøÈ®´ëÃà¼Ò´Â deleteÅ°